SIDEWALK SATORI:

 

INTERVIEW

FOR HELL

 

 

 

 

A Play by

A. Daniel Thompson

 

 

 

 

 

CAST OF CHARACTERS

 

 

 

 

J.R.

 

Old alcoholic, alias the Dean, hairy

 

ED

 

Clean-cut white man, in midlife crisis

 

MARY

 

Mentally-ill large Hispanic woman

 

RICHIE

 

Runaway teen prostitute, pretty boy

 

NAT

 

Black social worker, alias the Referee

 

 

 

NOTE:

 

as audience enters the theater,

Nat will be at entrance begging,

laid out in horrible stench

 

 

 

 

 

 

 

 

 

Scene One

 

A park with trees, three benches, J.R. on center bench amid empty bottles,

Mary wrapped in dirty clothes and papers on bench stage left, from right…

 

enter Richie, leading Ed by the arm

 

Richie: 

 

Here you are.  This is J.R.  He sometimes helped me out when I was first on the street.  J.R., this guy says he needs help cause he’s homeless.  Doesn’t look like it to me, but I brought him anyway.  Thought maybe he’s just shy, pickin’ me up, ya know?  Come on...

(strokes Ed’s arm and chest)

 

Ed:

 

No, really, not that.  I do need help. I., I left my family and I don’t know what to do, how you go about this… whole thing.  I just, well, I’m staying out here anyway and I’m not going back.  I was just hoping someone could sort of show me the ropes.

 

J.R.:

 

So, you say you left your family.  You left? (no answer) And you want to be out here, with us?  You think you have what it takes?!  To join us, the few, the proud (posing, upright, sways) Well, we’ll ask you a few questions and find out.  Your name?  Name?  Know how to talk??

 

Ed: 

 

Yes, of course, I’m a college graduate.  I...

 

Richie: 

 

I don’t care.  I’ve got work to do.  So, anyway, I brought you.

 

Ed: 

 

Yes, thank you.

 

Richie: 

 

Thank you?  Fuck you!

 

J.R.: 

 

He wants something, Mister…

 

Ed: 

 

Ed.  Um, I don’t have any money.  I left it all.

 

Richie: 

 

Worthless asshole!  What a waste.  Let him rot, J.R.  I hope he is homeless.  He deserves it.  Nobody jerks me around!  (to Ed)  Give me your watch.

 

J.R.: 

 

Relax, Richie.  Let’s find out what he’s about.  We’ll grant him an interview.

 

Ed: 

 

Thank you.  That is, I’m sorry, an interview?

 

J.R.: 

 

That’s right.  Do you want the position?  First off, that’s Richie.  Heroin, that’s why he’s so skinny, not hungry for food anyways.  But he’d do anything for a fix, including sell his soul.

 

Richie: 

 

My soul?  Shit, I wish somebody’d buy that worthless hunk of shit.  Like the devil!

(sticks tongue out, growls demonesque)

 

J.R.: 

 

So give him your watch for starters, then.

 

Ed: 

 

No way! 

 

J.R.: 

 

Good!  Very good, for your first test…  Now, down to business.  I’m J.R.  They call me the Professor.  (takes swig from cheap wine bottle periodically)


 

Richie: 

 

Whatever old man!  You’re fucked in the head.  I’d rather be fucked in the ass.  At least I get paid that way.

 

J.R.: 

 

You may call me Dean, since I will be deciding your fate.

 

Ed: 

 

Look, I’m not sure this is, um...

 

Richie: 

 

Oh, this is rich!!  Which one is loonier?

 

J.R.: 

 

Quiet you, urchin.  Have you no respect for your elders?

 

Richie: 

 

Oh, sure, look what they’ve done for me! (poses)

 

J.R.: 

 

The poor boy, destitute, turned to prostitution.  He’s not bad really, an orphan.

 

Richie: 

 

(in British accent)  “Please, sir, may I have some more” (holds ass apart at them)

Bad to the bone, baby, you’d better believe it!

 

Ed: 

 

Look, I’m sorry to have troubled you.  I’ll go.

 

J.R.: 

 

Don’t go yet!  We were just getting to the interesting part- you.

 

Ed: 

 

I don’t know.

 

J.R.: 

 

Courage, friend.  We just want to see if you can make it before we take a chance on you.  You know, it’s not for everyone.  The pay’s not much, and the hours...

 

Ed: 

 

But the benefits, the freedom, no one to tell you what to do, counting the clock, covering...

 

J.R.: 

 

That’s right, one long vacation in the sun!

 

Richie: 

 

You guys are wacked out!  What vacation?  You fuckin’ never get vacation.  Everyone be tryin’ to tell you what to do, the case workers, that Referee, the shelter guys, fuckin’ breatherizing you for a fuckin’ bed.  You are always on, on the street!!

 

J.R.: 

 

Don’t mind him.  He’s in a bad mood, jonesin’.  You’ll see... lots to learn.

 

Ed: 

 

I’m a quick learner.

 

J.R.: 

 

Good, neophyte.  Now we’re talking!

 

Ed: 

 

Just call me Ed.  I have no last name anymore.

 

J.R.: 

 

How romantic!  Children?

 

Ed: 

 

I’m through with that, all the blame.  I tried to stay home for ‘em, then when that didn’t work I stayed away, always at work, alone anyway.  Fuck it!

 

J.R.: 

 

Temper?  Never mind- that’s an asset out here- in the great beyond...

 

Richie: 

 

(sitting stage right, singing, shooting up) Break on through to the other side...

 

Ed: 

 

And who’s she? (pointing to Mary)

 

J.R.: 

 

(in loud mock German accent) I’ll ask the questions!  No, just kidding.  She’s Mary.

 

Richie: 

 

(singing) Cross-eyed Mary.

 

J.R.: 

 

An angle, poor gentle creature, mad Mary la Guadalupe, the virgin…

 

Richie: 

 

No virgin!

 

J.R.: 

 

Mary has a handicap and nobody to care for her.

 

Richie: 

 

Yeah, right.  She ain’t got no handicap, ‘cept perhaps a little crotch rot.  She’s just lazy as all hell.  And dumb- not deaf though.  You can hear, can’t ya?!  Boo!!!  But she don’t ever talk, ever.  Never makes a noise, even when these old fucks have their way with her, she don’t scream, don’t say nothing, not a word.  Just looks, like now, like she’s asleep, but with her eyes open.  Referee, the social worker, is always trying to do something for her.  But she won’t budge; couldn’t drag her into a shelter- strong as all hell!  (at J.R.) And the shelters always kicking this other one out!  Don’t make any sense.

 

J.R.: 

 

Don’t be bitter, boy.  The world is your oyster.

 

Richie: 

 

Yeah, slimy and smelly!  Like that cum dumpster! (points to Mary)

 

J.R.: 

 

Back to brass tacks.  (to Ed) What makes you qualified for this... life style?

 

Ed: 

 

Well, I’m… flexible, dependable.


 

Richie: 

 

Sure you are!

 

Ed: 

 

And are you really a... (to Richie)

 

Richie: 

 

Hoar, honey, yeah!  And a magnificent one, don’t deny it!

 

Ed: 

 

But why??  Must you...?

 

Richie: 

 

Hell, if I was good enough for my old man, and he didn’t even provide. Who the hell are you?!

 

J.R.: 

 

Back to the interview.  What do you think you’d like most and least here?

 

Ed: 

 

I don’t know.  The food least, I guess.

 

Richie: 

 

What about getting beat up?  The food’s fine- if you can keep your teeth.  And the drink.

 

Ed: 

 

And most, most of all I’d like having no one depend on me, no deadlines, no stress, the open air, adventure.

 

J.R.: 

 

What would you do if you won a million dollars?

 

Ed: 

 

What?!

 

J.R.: 

 

That was the best question any interviewer ever asked me.

 

Ed: 

 

You?

 

J.R.: 

 

Yes, good sir, and?

 

Ed: 

 

Well, give it away, I guess.

 

Richie: 

 

I’m gonna kick this guy’s mother-fuckin’ ass!

 

J.R.: 

 

What would you teach people from this position?

 

Ed: 

 

What would I teach?

 

J.R.: 

 

That is my question.  We have a responsibility, you know!

 

Ed: 

 

I have no idea!  Why did I even...? Oh, who knows!?


 

J.R.: 

 

God knows.  Look, here’s what you’d be doing:  I’ll give you a little orientation, assume you as my apprentice, an abercaderian.  Follow me and watch. 

 

Scene Two

 

J.R. move upstages, followed by Ed, into spotlight; background blacked out

J.R. addresses the crowd, Ed watching behind, periodically checking his watch

 

J.R.

 

Spare any change.  Got a quarter, lady?  I will tell you: I have just had an epiphany, a genuine epiphany!  Long had I thought, and not just I, that this life is so empty, a void.  We try to fill it up with things: gods, systems, material things, or others we can never grasp.  Nothing fills this hole in our being.  How long, oh Lord, how long?  Then, I thought, this is absurd!  Who can fill this abyss if not I myself?  So I threw myself, my Self, into the great void- either to fill it completely or to lose myself completely forever.  The ultimate leap of faith!  Praise be!  Joy of joys!  (aside to Ed, behind his hand)  I once made the jump- in front of a train! (back to crowd, moving closer and closer, more and more in their face, stinking) At one glorious time, all souls soared free in the heavens.  Then there was a revolution in the stars, a fall.  That fallen angel- it is You!- was condemned to live here below in the sin and samsara and mara seeking satori and such and... (breathless) wallowing, blissfully, in the exalted dirt and grime sublime of existence.  But we wanted it!  We chose the Fall, the playful split- to taste, to taste- the forbidden fruit, sexual, nay sensual, fruit of the tree of knowledge and sorrow, to season delight, tree of evil, to spice up the good…  Is not Satan, the fallen one, is us?  Fallen angels all living out lives of lies, bittersweet rotting meat and sour grapes, soulfood, a  taste for Life… 

 

(enter Nat, looks at Ed, waves, then stands listening)

 

But we can soar free again anytime we like!  We chose this mortal coil and sting and we can shuck it off.  Revel in your Choice- to come down and feel, be, become, love, lose, laugh, cry! We have all come down to die on our crosses for the sins and glory of all.  The world is allone.  (to audience still) YOU!!  You make the world whole, complete! You are the Center, your Nature true.  We will all be joined in the universal union.  What is yours and what mine really, ultimately?  It seems to me illusion, or reality, or Memorex!

 

Nat:

 

How do? (to Ed) He’s on a long one. (point at J.R.)

 

J.R.:

 

Nirvana is in Samsara.  Death is a breath of air, the reincarnate digesting its best merit to give it again character and form, plunge back down into the depths to struggle and to strive.  Why?  To uplift the rest until all is enlightened, Amen!  Karma points galore, shoot- score!  Liberated.  So, have you never wondered why?  Why are we so deluded, attached, endlessly desirous, struggling, suffering?  And why have we forgotten?  If we have lived, and lived- countless lives upon lives- why have we no memory- Praise be!- of all this knowledge?  Would that you knew!  This is the greatest gift of all, to ourselves:  It is not a test, but a chance, a fresh start, a clean slate, tabula rasa, all our sins and dispositions wiped away, all our accumulated attachments dissipated like husks after the harvest by the cosmic winds of oblivion.  We come into the world free and clean with every chance to realize - that is to recognize, not to create- perfection, enlightenment, even paradise for ourselves and for all sentient beings yearning to be free.  Oh, Glory!  They say the meek shall inherit the earth.  It is commonly interpreted, I think, as meaning that those who seem weak for refusing to indulge in physical violence, or perforce verbal, will one day move in to inhabit the gilded palaces of earthly delight.  Could it not also be understood though, I ask you, as implying that those who, for whatever reasons, have not the force to battle and vanquish the ultimate foe, their selves, will indeed be burdened with this terrestrial testing grounds until such time as they can at last move beyond?  Well, what say you?!... Gimme a quarter.

 

Ed: 

 

You’re raving!

 

J.R.: 

 

The tourists like it.  I can’t play harmonica.  It’s important that the truth lie outside them.

 

Ed: 

 

What’s for real here?

 

J.R.: 

 

You are- maybe.  Are you late, mad hatter?

 

Ed: 

 

Perhaps, though I’ve nowhere to go.

 

J.R.:

 

Then back to the interview.

 

Scene Three

 

Lights come back on backstage as Mary mumbles on one bench, Nat surveys Richie passed out on another, then puts his arm around J.R. with a glance at Ed.

 

Nat:

 

How ya been, J.R.?  Who’s this?

 

J.R.

 

That is the question I am attempting to answer. (to Ed)  Have you heard of koans, little zen riddles sort of like the sound of the clapper less bell and all that?  No, well, here’s an existentialist nursery rhyme for you then, to put you back at ease...

 

Ed: 

 

Please, look, I don’t understand all this.  Do I get it- or not?  Am I accepted?  I really want this.  I need this. I’ll do anything, almost...

 

J.R.: 

 

(loudly) Fuzzy-wuzzy was a bear.  Fuzzy-wuzzy, was he there?  Fuzzy-wuzzy, was he?  (pause) Have a drink.  (Ed takes the proffered bottle.)  So, tell me what you think of this one, a parable:

 

(red lights)

 

This man trades his soul to the devil- and for what? To what end?  Power?  Riches?  Fame?  Love perhaps?  Revenge even?  No, only a trick, that the Devil let loose all the other souls that he has thus stolen, won, or otherwise acquired and come upon by sin and all.  Isn’t that right, Mister social worker?

 

Nat:

 

Yessir, I suppose, depending.

 

J.R.

 

Nat, this here is hapless Ed, on a Quest.  I must quell his world-thirst quickly.  I continue:

 

 

 

This Man, having renounced all worldly pursuit, greed, and such, a slave to religious sacrifice, instead of just reward, a world utopia, the redeemed, come down to smite his foes et al.- he decided to renounce all this and make the supreme sacrifice- his soul.  And let us not believe he sinned in doing so.  He made the deal direct- with the devil herself!!  And there was a great light and lifting of wings of grace, the chosen, (spread arms) and the Gates of Heaven were thrown wide open, never to shut again and the man was granted death and peace and his soul again, eternal life, freed from the Devil.  And the Devil himself was freed from his heavy burden, his unceasing task- with no more unholy host (unemployed he was) the Devil himself was uplifted on dusty, cobwebbed wings of scale and feather fine- lifted out, transcended his eternal servitude and God was glorious in grace, and Man a hero and angel redeemed and redeemer- at good long last.  Hallelujah!  What do you make of that?

 


Ed: 

 

Listen, Mister J.R., whoever you are, can’t you just accept me?  I don’t understand any of this.  I need to...

 

J.R.: 

 

Belong.  Fit in.  I thought you didn’t want to answer to anyone anymore.  I’ll give you one more chance.  Try this one... 

 

Scene Four

 

Nat moves upstage, aside, starts writing on a clipboard

 

 

J.R.:

 

In the beginning was not chaos. 

 

Nat:

 

Casenotes: Monday evening.

 

J.R.

 

In the beginning all was One, the Initial One Great Union: the word, deed, whatever.  Then came the division into opposites, day and night, dark and light, yin/yang, good/evil, and especially- female and male.  It divided in order to have a play partner!

 

Nat:

 

Park on forth street.  Subjects present: Richie (doped), Mary (delusional), J.R.(drunk), and a new case, Ed (desperate).

 

J.R.:

 

I mean, can you conceive of a world without woman and man, the desire, primal urge, instinct to union- it’s what we live for!  So, the world was divided- into harmonic tension in flux.

 

Nat:

 

Observation: J.R., fair health, good humor.

 

J.R.:

 

And so time began- and then was chaos- Now!  Sacred chaos from which we create order, strive to consensus, comprehension- but we are deluded, suffering too, but we willed it, see, we chose this- freedom.  And we have tasted of the tree of life and knowledge and sex and who would give it up and starve- who?!  None, well, welcome then.  Bissimila!  To Reality, good god glorious reality.  But who can see it clearly? 

 

Nat:

 

Auditory and visual hallucinations, schizoid manifestations, no sign of suicidal ideation anymore.

 

J.R.:

 

Man was longtime in darkness, then there was light.  Mir licht were Goethe’s last words, he who said nothing human was foreign to him!  But first, darkness. Man turned around and around searching.  He groped for something and found... an elephant!  And elephants all the way down.  Man felt the tusk and said it was a cup.  He felt the tail and said that it was a rope, felt the trunk and said it was a snake, felt the four legs and called them columns, felt the ears and said that they were screens, felt the body and called it a mountain.  He knew not that it was an elephant, kept imagining it was a butterfly.  So it is with us, the world, existence.  We live in illusion, alone in darkness, desperately seeking. 

 

Nat:

 

Subject presents mania, seems to be trying to initiate new person, this “Ed”, whoever he is.

Is this a set-up, a prelude, a con?

 

J.R.

 

Then there was a light again.  He followed it looking for its source.  It stayed with him ever, constantly close, but its source eluded him.  He searched for it in forests and desert, deep valleys and atop clouded mountain peaks.  Finally, he looked in the water and he saw his reflection, the light emanating from its source, an illuminated diamond point on his own forehead above the eyes, from a glowing thousand pointed lotus blossom of luminescence.  And he grasped at it still blindly, rippling the water and damping out his light- for he held, could hold- nothing and lost the light.  Man was longtime in darkness... Get it?

 

Ed: 

 

(drinking lots now) Huh? (the light in the park is getting darker and darker)


 

Nat:

 

J.R., you seem good, lots of energy.  Did you go to the hospital again?  (long pause)  No, huh? How about you tell me about your new friend here then?  That’s exciting.

 

Ed:

 

No time for that.  Ed, come here, this is urgent!

 

Scene Five

 

This time as they move upstage, the background remains dimly lit to show Nat writing casenotes over Mary and Richie, occasionally touching them, kneeling, even going through Mary’s rags.

The spotlight meanwhile flickers rhythmically as a train noise plays softly.

 

J.R.: 

 

Remember the time in the train, old boy?  (distant gaze ) Nobody saw my halo in the tunnel, my hollow aura.  The guardian angels threw me off- into the labyrinth.  Modern man thinks he is flying, but he doesn’t realize that he is really falling, the eagle weighed down by the serpent, forever falling.  That is existence!  Hence our uneasy feeling, man’s lament, cause there is a solid earth mother down there and one day perhaps, if we realize or forget- Splat! (hits hand) But wouldn’t that be a relief: a foundation that gives the ultimate grant?  Get a piece of the rock.  We’d love to climb back into that womb, our original sin, division.  But don’t blame Oedipus. His father started it!  Life: this carrot dangling ever before us, never attained.  Life is an evidence, not an essence, not a Being but a Becoming.  You say you want eternal life, heaven or hell- it’s all the same.   Sweat it out on your treadmill, your hamster wheel.  There’s your ceaseless life, love.  We’ve got it already, good riddance.  No escape, huis clos, on a wheel, rack of fate, mandala, samsara.  So called civilization is just stagnation, dont’ya know?  Here’s the deal:

 

Ed:

 

No more deals!

J.R.

 

 (wipes forehead)  No return to the El Dorado, Lost Paradisio golden age, noble savage.  The Garden is closed, for repairs.  So it is and so be it.  So have I heard.  Forget Jungsters and patchwork new-agers.  Does not our vehicle seem to follow the Way effortlessly, and we in it?  Bless the big basket!  (pause) There, look, see!  For why not we?  Weeeeeee! (laughs)

What would good old practical Confucius say and Isis of old, let’s not forget?  By no means.  Mythology: that’s what we call religions of old.  Heresy!  That people believed mere stories:  Loki, Hermes and all that, the crazy fox, the blood clot, coyote.  Made up!  Make-believe! Airy Fairytales!  Catch a leprechaun by its tail.  While meanwhile we continue believing fervently, fanatically, ferociously our own mythology of modernism, millennial malaise, money most of all.  Money, a religion without faith.  Empirical evidence of evolution and all that.  So today we worship the dollar, symbol of our freedom, tool of our slavery?!  Meanwhile assuming all the time that redemption, salvation and all that bebop jazz bebop will still weave the familiar charm of good ole Paul (a Helen in disguise), forgetting Jesus, that old Jew, his eschatology- which means, my friend and brethren, supreme world-negation- the Kingdom of God cast before swine…